July 12-21 @ 8pm
Ontological Hysterical Theater
at St. Mark's Church
131 East 10th St & 2nd Ave
New York, NY 10003
www.ontological.com
tickets available now at:
https://www.ovationtix.com/trs/cal/16
or call 212-352-3101
Friday, June 8, 2007
tickets on sale now!
July 12-21 @ 8pm
Ontological Hysterical Theater
at St. Mark's Church
131 East 10th St & 2nd Ave
New York, NY 10003
www.ontological.com
tickets available now at:
https://www.ovationtix.com/trs/cal/16
or call 212-352-3101
Company SoGoNo
Four librarians trapped in a fantastical library search for an exit and create elaborate physical games that explore memory and illusion in Company SoGoNo’s stark atmospheric performance, Art of Memory.
Weaving together text, Butoh dance, and original music, with elements of improvisation, Art of Memory is an examination of the mind and how it stores knowledge in the body. As the shifting nature of time threatens the librarian’s fragile sense of logic, they seamlessly inhabit the roles of handless maidens, the Brontë sisters, an ill wind, and minor deities. Comedic and dark by turns, the piece employs books, children’s games, alchemy and questions of being as it traverses internal landscapes of memory. Inspired by Frances Yeats’ Art of Memory, the text is both original, and collaged from Luis Borges The Library of Babel, Grimm’s Fairytales, and Emily Brontë’s Wuthering Heights.
One librarian orchestrates a tower of Babel, the other three interpret the signs. All four characters invent and repeat game structures as an aid to memory, specifically “how to remember who you are” as they move from early childish games to more complex games of language, to curses, and adult games with cruel natures. Throughout, they physically articulate the simple desire of wanting to create order in chaos, and are constantly thwarted. Towers of books topple, the best laid curse goes awry, knowledge confuses rather than instructs, pencils are sharpened and hearts are twisted. In the final scene, an escape / disappearance / emergence into another world reveals all previous events to be a miniature history of the imagination's triumph.
Created and performed by Calamoneri, Cassie Terman, Heather Harpham, Lisa Ramirez, and a host of talented designers (see right column!), Art of Memory began in 2003 as a solo for a madwoman entitled Bottomless Pit, and has since evolved into a quartet for “researchers” of the mind’s body of knowledge. Core to the evolution of the piece is Calamoneri’s long-time study of Butoh and Action Theater™, and her wish to merge these forms in service of surreal and visual theater-making.
An intricate sculptural set design conjures the dark and magical tomes and includes slide projection, while Miguel Frasconi’s innovative sound design further transforms the sonic space with fading footsteps, ticking clocks and the eerie strains of glass music.
Weaving together text, Butoh dance, and original music, with elements of improvisation, Art of Memory is an examination of the mind and how it stores knowledge in the body. As the shifting nature of time threatens the librarian’s fragile sense of logic, they seamlessly inhabit the roles of handless maidens, the Brontë sisters, an ill wind, and minor deities. Comedic and dark by turns, the piece employs books, children’s games, alchemy and questions of being as it traverses internal landscapes of memory. Inspired by Frances Yeats’ Art of Memory, the text is both original, and collaged from Luis Borges The Library of Babel, Grimm’s Fairytales, and Emily Brontë’s Wuthering Heights.
One librarian orchestrates a tower of Babel, the other three interpret the signs. All four characters invent and repeat game structures as an aid to memory, specifically “how to remember who you are” as they move from early childish games to more complex games of language, to curses, and adult games with cruel natures. Throughout, they physically articulate the simple desire of wanting to create order in chaos, and are constantly thwarted. Towers of books topple, the best laid curse goes awry, knowledge confuses rather than instructs, pencils are sharpened and hearts are twisted. In the final scene, an escape / disappearance / emergence into another world reveals all previous events to be a miniature history of the imagination's triumph.
Created and performed by Calamoneri, Cassie Terman, Heather Harpham, Lisa Ramirez, and a host of talented designers (see right column!), Art of Memory began in 2003 as a solo for a madwoman entitled Bottomless Pit, and has since evolved into a quartet for “researchers” of the mind’s body of knowledge. Core to the evolution of the piece is Calamoneri’s long-time study of Butoh and Action Theater™, and her wish to merge these forms in service of surreal and visual theater-making.
An intricate sculptural set design conjures the dark and magical tomes and includes slide projection, while Miguel Frasconi’s innovative sound design further transforms the sonic space with fading footsteps, ticking clocks and the eerie strains of glass music.
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